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Mbaye Dieye Faye Back to Super Etoile![]() Monday, March 03, 2008 Considered as one of the greatest percussionist in Senegal, Mbaye Dieye Faye has made, last Saturday, a memorable comeback to Super Etoile, during a live performance at Thiossane Night Club in Dakar. The event was portrayed in Senegalese media as a positive move between the two Mbalax icons. In fact, following a blazing row, Youssou N’Dour and Mbaye Dieye Faye finally decided to part company three months back. But the question after questions is to know what the row was really about. Born in a modest family of “Griot” griots, Mbaye Dieye Faye was inexorably predestinated to a musical career. He had a difficult life before he became a celebrity. He sings because he’s a griot, but it’s a passion for him to sing. He dreamt of being one of the famous singers in his country. He grew in a family of griots, but he had problems when he wanted to be a singer. Formerly, people used to say that when you sing, you are going to ‘‘take a bad way”. For instance, you can use drugs or alcohol because of the environment, bars, hotels, dancing so, that was the reason his father defended him to become a drummer. When he was child, his father sent him to koranic school before he entered French school. But at a young age, he deserted school and became a carpenter of metals after he began to tap the drums. When he first informed his father about his affection for music, his father started to beat him. It was after becoming conscious of the his son’s devotion, that his father consented. But like many children, Mbaye Dieye Faye was very stubborn, so he continued to decide to be a singer before his father decided to give him his agreement. After all, it was normal for the young son of Sing Sing to tap the drums. Like it is said in a “Wolof language” Wolof proverb, “Donou sa baaye ayoul”, meaning that it’s not a shame to follow the same job as your father. So Mbaye Dieye Faye begun to tap the drums with his companion “Youssou N’Dour” Youssou N’Dour well known as the “King of “Mbalax” Mbalax” in Senegal. Mbaye Dieye Faye had begun singing when he gave up his work as a metal carpenter. Too young, Mbaye Dieye Faye left this school. His first concert with Youssou N’Dour was very wonderful for them even if they got only one thousand Cfa each. Youssou N’Dour is an old best friend and a colleague of Mbaye Dieye Faye. According to Mbaye Dieye Faye, Youssou Nour is a best among the best people. They share many things and together they will realize their dream, success. In his adulthood, he married his beloved Mame Ndiaye and has his kids with her. According to Mbaye Dieye Faye, it is not easy to become famous but also it’s not easy being famous. Indeed, famous people are not free; they can’t do whatever they want. To gain his life, Mbaye Dieye Faye has his music, the praise he made during ceremonies, concerts, and advertisements such as ‘ halib’ a milk product, ‘the la force’ a tea product… He makes rhythm in his music, the Mbalax. What makes Mbaye Faye famous is not only his ability to beat the drum but his way of dancing and giving life in his concerts. Since he is always a “griot”, he knows how to make himself listened to. He is a court musician; he sang praise and told the history of people or the region which interest people. The advertisements also make him popular. Formally, the Senegalese Mbalax was not very rhythmic because they used only drums and some traditional instruments. However, it changed completely with the modern musicians particularly Mbaye Dieye Faye. In fact, this latter with the new instruments such as the piano, the guitar, the saxophone plays a mixed music meaning the traditional music and the modern one—for instance, the beat of drums and the blare of trumpets.\l “note-Oumy1” Mbaye Dieye Faye has composed some albums, such as “Songama” Songama, “Live biir Thiossane” Live biir Thiossane, “Oupoukay” Oupoukay, and others. Songoma is the most famous, and the one most appreciated by the audience. This music had caused many problems because of religious principles. Indeed, it is a dance which required a certain way of dressing. It is called “Joubax out”, missing Wolof and English which means literally “navel out”. To attract more attention, girls wore indecent, tied, and transparent clothes. They must look like prostitutes to be exciting. However, others think that “songoma” is only a dance like all dances. It brings people to be more friends, to enjoy oneself. So, even in families, people can dance it just for pleasure. Live in Thiossane, is also a very famous album. The wolof word “Thiossane” is a dancing night club owned by Youssou Ndour.Oupoukay brought much pleasure to people. The rhythm and the sound were wonderful. Mbaye Dieye Faye is the percussionist of ”Super Etoile” band. But he has a tendency to sing at the same time with Youssou Ndour. He plays an important role in the band. Mbaye Dieye Faye has his own style in music, very much appreciated by Senegalese people, particularly women. In “Mbalax” rhythm, he introduced as he calls it “Khorom” (Salt ). Nobody can dance to his music without getting tired. Indeed, it is very hard to follow his drums. And it’s like making sport, because dancing his music means jumping, moving one’s body, and all members. So, nothing must be calm. The role of Mbaye Dieye Faye in the band is also to make entertainment adequately. He is a griot, a repository of oral tradition, a praise singer, but he is more interested in singing love and romance. Most of the time he uses “Tassou”, a kind of speech with some rhythms, reminding one of rap music. That is mainly for amusing people, but often, speeches contain vulgar expressions. And for him, it is for exciting dancers, and having them moving more. Certainly, with his comeback, Bercy 2008, the annual musical event engineered by Youssou N’Dour, will live up to expectations. Source: The Point CommentsThere are 12 comments - add your comment Lamin Touray - Banjul, Gambia Thursday, March 13, 2008 8:55 PM annd so what? why so a long nonsense article on someone who cares less about our music? why not talk about Gambians that makes us know more about our own people. PATRIOTISM Lets mind our business and concentrate on our own artists. Does the writer of this article know so much about any of our Gambian musicians?? Sal Friday, March 14, 2008 6:46 AM Exactly, WHO CARES? Thank you Lamin. Am glad am not alone thinking this way. Anonymous Saturday, March 15, 2008 4:45 PM Thanks bro: Be proud to use what you have in any gathering,rather than going around borrowing. Tomorrow your lenders 'll sit down and "SUSU PON YOU" I think thats exactly what we are doing as a nation. In the eyes of these senegalese we are not existing. Why do we have write about them? while leaving our artists behind Leo - England, United Kingdom Sunday, March 16, 2008 5:09 AM Well I agree with you guys but really and truely the senegalese musicians have far out perfomed our Gambian own.We don't hate the Gambian musicians but they simply are not producing the quality that the music market is demanding in The Gambia.With the Exception of Jaliba and few, a lot of gambian musician's product are less appreciated by the general public,I for one believe the new arstist are failing because the rap and hip hop which they are coming up with is alient to the The Gambian public and even in senegal the top musicians like youssou, thione, omar pene you name them will not have been in the place they are if they are raping or producing hip hop,tell me who is going to call youssou or thoine in uk or America to rap when they already got the best raper in the world over there.And is throught these international perfomance that musician gain popularity and financial strength.I believe the Gambian musicians should start emulating their senesgalese brothers and sisters by producing culturally known music like Mbalax, cora,riti,or even a combination of all as in jaliba.Nancy Nass is doing well and I quite appreaciate her efforts.Its time we go back to our roots and be proud of our own culture rather trying to impose western music on our folks and expect them to appreciate.Unless and untill so, we will always be draging behind when it comes to music.Mali, congo,Tanzania etc are good examples of what I am trying to potray here, Love u all. Anonymous Sunday, March 16, 2008 3:24 PM leo speak for yourself.I am not surprise you are leaving in the united kingdom.The uk gambian site should have been given the name uk senegalese,After all its fill all over with senegalese advertisment and the promotion of their musicians. Can you deny the fact that lucky dube and alpha blondy are popular and famous in this world today. Are they playing local music? No! What interest do we have from reading this guys problem? But i guess the writer of this article is a senegalese. Which demonstrate their PATRIOTISM. Well if you feel you don't have the need to support. Please stop using excuse like they are coming up with alient music like (Rap, Hip pop and reggae). The above mention names become stars from playing Reggae music. Sal Monday, March 17, 2008 6:20 AM Leo, your star Yusu said: "music amul frontiér" (and am know you belief him because he is Yusu Ndure of Senegal). So, be it rap, r'n'b, reggae, zouk and etc. all what Gambian musicians need is ATTENTION, SUPPORT (both morally and financially)and RECOGNITION especially from their countrymen. This is what we are talking about. Going by you arguement, you so contradict yourself. You are saying that we should stick to "our" roots at the same time you are saying that "Gambian musicians should start emulating their senesgalese brothers and sisters". Check the dictionary for the meaning of "emulate". What this is telling me is you have a serious inferiority complex towards "your" senegalese brothers and sisters. Don't tell us that Gambian and Senegalese cultures are the same and so the music, because rap and reggae r'n'b also influences from "black" cultures. What are the differences?As anonymous puts it right: it's about time you guys stop hiding behind the excuses of the type of music Gambian misicians are or are not playing. The hard fact of the matter is, most Gambians cherish more what is not-Gambian than what is indigeneous-gambian: A serious syndrom of COMPLEX. Period! leo - England, United Kingdom Monday, March 17, 2008 1:03 PM Mr anonymous and sal you ve really missed my point, but I need not to respond to u both hence the nature of your postings are a clear indication of who u are.By the way just to put few things rights,Sal you dont understand enlish,By the use of EMULATE I simply means Gambian musicians should copy their senegalese act of EMBRACING the cultural music(mbalax)not to be an INFERIOR to them as you diggested it.After all the noises you both are making,you cannot deny the fact that senegal is far ahead in music.Lets call a spade apade,not a big spoon in the name of Patriotism .Senegalese musicians have succeded in promoting their traditional musical values at home and to the international arena (including our home land The Gambia)And for your information mr Anonymous, that is what Yusu means by "music amul frontier".That as the sayig goes "charity beging at home" was and still rooted in senegal and the branches are every where in the world,eg paris(bercy)Uk (theO2 arena) new york etc are all hit hard by the senegalise mbalax nowadays.But unless and untill our Gambian brothers and sisters come up with something appreciated at home, they will go no where,this am afraid is not going to be the rap, hiphop u name them but the traditional Gambian melody which is overwhelmingly valued and charished by the Gambians, ofcoursed modernised if you like as done by jaliba, mass low etc,yousou, alieu mbaye nderr u name them.Hence "a good wine advertise itself." and "kolanut last long in the mouth of those who value it".For your home work please find out what culture rap and hip emanates from and as a result what. Sal Tuesday, March 18, 2008 7:01 AM Hi Leo! Let me just emphasize what we are telling you by quoting your own expression: "CHARITY BEGINNING AT HOME". I put it this way: "RAACHA TAY SA KANAM". This is the only thing Senegalese are doing better than we Gambians. Their charity towards their musician begins and ends at home while that of Gambians begins and is consolidated rather elsewhere. Your lecture alone is an indication of this factor. Tell me who is behind "bercy"? Who is behind "O2 arena"? By the way, did ANY senegalese organisation or group abroad EVER acquire the services of Jaliba or Mass Lowe whom you mentioned? Answer these questions honestly and you will see that we all along have been "calling a spade a spade". Rap and hip-pop, despite all the rambling, you still enjoy them on your Senegalese satelite. Don't you? I will rest my case with yet another appeal to you: stop hiding behind those thin excuse and give ATTENTION, SUPPORT and RECOGNISE you own (charity, afterall, should always begin at home - your own words). Si jaama :-) Tuesday, March 18, 2008 9:42 AM Sal u still need proper research ask Jaliba how many times he has performed in Dakar,Saijor,jululung, zigansorr and let him tell u how many times he has performed over here in the Uk,paris, newyork , norway,sweden.He will tell you how the Gambians and offcourse senegalese in these various countries welcome him and show pride in him.This all lies in the quality of his music.You can and think and say what u like, but don't expect Gambians abroad to spend their hard earn money on promoting musicians who are producing scrape music.They have to come up with something standard if they expect us to embrace them here like the senegalese musicians, who ever comes up with that we wiil raise u to the sky, otherwise we will snod you like a bin.Good luck to the Gambian music.''''' Lamin Touray - Banjul, Gambia Thursday, April 03, 2008 9:01 PM Leo, I am sorry you are misled by the fact that not all Gambain artists/musicians play Hop hop or what you are saying. The probelm is that our musicians are not given publicity, on our TV and Radios only foreign artists are featured.How ofetn does Senegalese radios play gambian artist's music? what about Guinea, Mali etc? Our radio and TV are hiding our talents in music. Leo can you name me any musician living out of banjula area? You cannot because you have never seen or heard from them despite their existence because our TV and radio stations dont expose their music.Look at the days of Ifangbondi etc, they were top artists and were loved by gambians till when the PPP decided to dump them.The most shameful thing is our national celebrations and bid business shows are graced by Senegalese musicians.And do you know that Gambia is the breeding ground for many Senegalese musicians, as I have played Senegalese music for Senegalese and they say they dont know or ever heard those music,so simply put you can see many of the Senegalese musicians especiakly the new ones always launch their albums/Cds here in the Gambia. We need to support/critise your musician and be proud of them and see them as our own sukai njie - Serrekunda, Gambia Monday, June 30, 2008 10:48 AM i like him so much i am gambian but i am in the uk now lie - United States, North America Saturday, July 19, 2008 10:55 PM This is a positive move that will continue to exceletrate both muscians. However, we should also recorginze that these are humans whom happens to have tipical issues just like the rest of us..Lets continue to pray for them on coontinued peace and good health and happness
God Blress you all
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